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The Crucible By Arthur Miller - 1419 Words

Jazmin I. Soto Mrs. Garcia English 11 CP 06 October 2015 The Crucible Our choices define who we are, but what many don t understand is that our life experiences have lead us to the path we’re on. Sometimes bad things happen that torment us daily and effect our decisions and actions; however, this does not justify our behavior. In the play â€Å"The Crucible† by Arthur Miller, Abigail, a young girl that lives in Salem, has done many crucial things that have affected many people of her village. She has experience trajec situations but this does not excuse her from being guilty. Abigail Williams is indeed the person to blame for all the horrible things that occurred in this play, but not fully responsible. Abigail is to blame because she would do anything to have John Proctor. Since the beginning of the play we realize that John Proctor had an affair with her, â€Å"(grasping his hand before he can release her) John - I am wiatin’ for you every night (Miller 145).† Abigail says this to John Proctor when he comes to visit the village. She is desperate and wants something to do with him again. John Proctor resists but this only angers her and makes her even more determined, â€Å"I have a sense for heat, John, and yours had drawn me to my window, and have seen you looking up, burning in your loneliness . Do you tell me you’ve never looked up at my window?... And you must. You are no wintry man. I know you, John. I know you (she is weeping) I cannot sleep for dreaming; I cannot dream bout IShow MoreRelatedThe Crucible By Arthur Miller1269 Words   |  6 PagesAt first glance, the playwright Arthur Miller in The Crucible highlights the historical significance of the Salem Witch Trials of 1692, but in fact it is an allegorical expression of his perception of McCarthyism. If the reader has some background information on Arthur Miller’s victimization as a communist, it is evident that the play is a didactic vessel illustrating the flaws of the court system in the 1950’s. The communist allegations were launched at government employees, entertainers and writersRead MoreThe Crucible By Arthur Miller1681 Words   |  7 Pagesof their way to the last dying breath to make sure they leave with a good or bad reputation. In one of the recent literature study in class â€Å"The Crucible† by Arthur Miller, Miller uses characterization to illustrate reputation throughout the play. â€Å"The Crucible† takes place in Salem, Massachusetts. It is based upon the Salem witch trails. In â€Å"The Crucible†, we journey through the life of three characters who reputations plays a major role in the play. The three characters are John Proctor, AbigailRead MoreThe Crucible By Arthur Miller1333 Words   |  6 PagesAs the various characters in The Crucible by Arthur Miller interact, the dominant theme of the consequences of women’s nonconformity begins to slide out from behind the curtains of the play. Such a theme reveals the gripping fear that in undated the Puritans during the seventeenth century. This fear led to the famous witch-hunts that primarily terrorized women who deviated from the Puritan vision of absolute obedience and orthodoxy. Arthur Miller presents his interpretation of the suffering by subtlyRead MoreThe Crucible By Arthur Miller998 Words   |  4 Pagesmotivated by jealousy and spite. The Crucible is a four-act dramatic play production that was first performed on January 22, 1953. Arthur Miller used dialogue within the characters to cover the multiple themes; conflicts and resolutions, plus the few directions for the different actions of the play. The Salem Witch Trials were intended to be performed as the play however, when read, it can be more carefully examined and broken down to analyze the techniques. Miller, the playwright, uses literaryRead MoreThe Crucible By Arthur Miller1145 Words   |  5 PagesUnbalance Through The Centuries In Arthur Miller’s play, The Crucible, the author reflects the persecution of communists in America in the 1950’s through a recount of the Salem witch trials. It is often presumed that Miller based his drama directly off of events that were particularly prevalent in the years surrounding the publication of The Crucible- which was released in the year 1953, towards the conclusion of the Korean War. Although there was not a literal witch hunt occurring during this timeRead MoreThe Crucible By Arthur Miller1063 Words   |  5 PagesIn the English dictionary, there are three definitions of the word crucible. One is a metal container in which metals are mixed and melted. Another is a severe test. But the third definition, and the one that I think fits the best for this book, is a place or situation in which different elements interact to create something new. In my mind, this fits because all of the characters had their little grudges and dirty secrets. But when all th ose seemingly little things interact, they formed somethingRead MoreThe Crucible By Arthur Miller1285 Words   |  6 Pages Rationale, Morality, Stereotypes, Pressure, Self-Censorship, Unanimity, and Mindguards. Groupthink has also taken place in our history a a country. The play, The Crucible by Arthur Miller is about a the real-life Salem Witch Trials that happened in 1692 - 1693, in Salem, Massachusetts. Some symptoms of Groupthink found in the Crucible are Rationale, Pressure, and Self-Censorship. The Groupthink symptom, Rationale, is described as when victims of Groupthink ignore warnings: they also collectivelyRead MoreThe Crucible By Arthur Miller811 Words   |  4 Pages While The Crucible, by Arthur Miller, is only a four act play, it still resembles the format of a five act play. The five-act structure evolved from a three-act structure, which was made famous by Roman Aelius Donatus. Donatus came up with three types of plays: Protasis, Epitasis, and Catastrophe. The five-act structure helped to expand the three act structure, mainly made famous by Shakespeare through his many tragedies. Even though The Crucible contains only four acts, it still has the commonRead MoreThe Crucible By Arthur Miller1052 Words   |  5 PagesBuddy Al-Aydi Ms.Healy English 9 CP 14th October 2014 The Crucible Essay The Crucible was a novel written by Arthur Miller in the 1950’s. It was written in a format of the play, portraying an allegory of the Salem Witch-Hunts led by Senator Joseph McCarthy. The book is known to have a inexplicable plot. This plot is advanced by multiple characters in the book in order to ensure that the reader maintains interest with the material that is being read. The farmer, John Proctor, would be theRead MoreThe Crucible By Arthur Miller841 Words   |  4 PagesThe Crucible is a chaotic play, throughout this American classic Arthur Miller takes the reader through multiple events of terror and insanity. While creating a great on-stage play, Arthur Miller portrays his life through the events, the characters, and plot of The Crucible. Using vivid imagery and comprehensible symbolism, Miller manipulates the real personalities of the characters and events in 1600 Salem, Massachusetts to create a symbolic autobiography. Throughout this play, the reader experie nces

Culture, Nature Freedom Treating Juvenile Offen Essay Example For Students

Culture, Nature Freedom: Treating Juvenile Offen Essay ders. GronemanArgiro, T. W. Civ. 205December 12,1996In Kansas, Juvenile offenders are sent to Youth Centers. These are merelyChild prisons, lockdown facilities for kids. This style of treatment goesagainst every idea of growth put forward in this class. In this paper I will tryto justify the use of residential treatment schemes through the ideas found inseveral of this semesters authors; including T.Huxtley, Rousseau, DuBois, Freud,A.Huxtley, and Mill. The Ideals set forth by these intellectuals should be thebasis for all treatment, to better the individuals and society. First, We can look to DuBois. He believes that people can change their ownconsciousness. He shows this through his Immersion narrative. This cant workin a youth center. The only cultural ideal here is the Master/slave dialecticbetween staff and youth. The sides work apart. The two cant join because onedoes not experience the other. There is no way to be above the veil of theirstatus. In a residential treatment modality, Relationship building is key tosuccess. The youth need to feel the veil has been lifted. It allows them toexplore safely and see the world in a greater view. The view as other is removedand a true balance displaces the master / slave one. Next, we can look at Mills Ideas on culture. He would like to elevate themorals of the human mind. To do this, we must continually test the standard. Newideas must be able to circulate freely. We must weigh how all actions effectothers.This can not be done in these Youth centers as well. They have veryspecific codes and any questioning is reprimanded. Cultural influx is at astandstill and Censor ship is at its highest possible level. A residentialtreatment modality gives all ideas a free shot. Self Government, A system usedby the youth assures a safe environment to share all feedback and new ideasopenly, to non judgmental ears. it looks at how ones action are related toothers and provides a safe place for all expression. Allowing ideas to stayfresh and moral stability and growth to flourish. This leads us directly to the dehumanization described by T.H. Huxtley. First,we have the effects of Social-Darwinism. We are using our own projections ofnature for a model. These children are being culturally pushed aside forprogress, stuck in mini prisons. Where, rather than fix problems, we push theminto suffering so that we may achieve gains. Then there is the idea of thegospel of wealth. Why help these kids? My money is a product of an evolutionaryforce, so is there placement. Helping would only interrupt their punishment. These Youth Centers also rob them of their ability to meet the goals of oursocietys Protestant work ethic. They have no contribution! These three thingslet us dehumanize these children and put their responsibility off on others. Residential treatment, on the other hand, removes the gospel of wealthmentality; earn as much as you want, monetary forces are not evolutionary. Intervention is key to Residential Treatment, no punishment of lower classes. This system makes everyone equal. This flows into the work ethic removal as well,everyone contributes and the group benefits. No individual benefit is given out. If one is good, then all are good. Finally, it erases the mask of Social-Darwinism. The youth work to meet goals for each other. No one wants to be abovethe rest. A strong whole help everyone individually as well. A week whole causesresentment and jealousy. .u1c30a6c57a2ac51e4321369f22f561a8 , .u1c30a6c57a2ac51e4321369f22f561a8 .postImageUrl , .u1c30a6c57a2ac51e4321369f22f561a8 .centered-text-area { min-height: 80px; position: relative; } .u1c30a6c57a2ac51e4321369f22f561a8 , .u1c30a6c57a2ac51e4321369f22f561a8:hover , .u1c30a6c57a2ac51e4321369f22f561a8:visited , .u1c30a6c57a2ac51e4321369f22f561a8:active { border:0!important; } .u1c30a6c57a2ac51e4321369f22f561a8 .clearfix:after { content: ""; display: table; clear: both; } .u1c30a6c57a2ac51e4321369f22f561a8 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1c30a6c57a2ac51e4321369f22f561a8:active , .u1c30a6c57a2ac51e4321369f22f561a8:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1c30a6c57a2ac51e4321369f22f561a8 .centered-text-area { width: 100%; position: relative ; } .u1c30a6c57a2ac51e4321369f22f561a8 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1c30a6c57a2ac51e4321369f22f561a8 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1c30a6c57a2ac51e4321369f22f561a8 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1c30a6c57a2ac51e4321369f22f561a8:hover .ctaButton { background-color: #34495E!important; } .u1c30a6c57a2ac51e4321369f22f561a8 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1c30a6c57a2ac51e4321369f22f561a8 .u1c30a6c57a2ac51e4321369f22f561a8-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1c30a6c57a2ac51e4321369f22f561a8:after { content: ""; display: block; clear: both; } READ: The Tradegy of JUlius Caesar EssayA look at Wiesel gives us insight to the effect of the political institution onthese Centers. Are these kids a product of our culture? If so how do we keepthis from occurring? The answer is not to lock them up. What family bonds wereavailable? Instead of locking the kids up, we need to find our mistake!Rationality has an opportunity to fail here. Residential treatment letseveryone be separate and define their own meanings of life, between being andlife itself. This helps each youth find meaning in life virtue of their ownexperiences. From here we can move to A. Huxtley. His views show what would happen if culturecompletely displaced nature in society. This translates to the society of ayouth Center. Youth Centers are completely denaturalized, almost to the point ofbeing sterile. The futures of these youth should not be predestined, and mappedout as in a youth center. Here progress is mapped. In a residential styletreatment setup the social control is through self government and peerinteractions, not a cultural controlling body. Also the myth of progress isdismantles. Residential treatment looks for change not progress. These ongoingchanges allow for humanness. There is an availability of true human values, notjust the pop culture presented in the prison center. Finally, we can look at Freud. His ideas link the behaviors exhibited to innerproblems with family and society. He brings into question the moral andcultural values instilled by other institutions such as church and school. Hetrys to place things in several different categories. First, The Eros andThantos Dialectic. Agressivity hang in the balance here. Our family structureshould let us put the primary agressivity we have in check. Regardless, Freudlooks to the person and the cultural venue for answers. A youth center is only astorage facility. There is no therapeutic gain achieved in these Child Prisons. They merely use reactive measures to stop behaviors, instead of looking forantecedents proactively. Once again residential treatment has an edge. Throughthe self government, relationship building process, and cultural challenges, theyouth in these settings work on the exterior antecedents that may be effectingtheir behaviors . This ,in addition to clearing the distorted cultural view,also provides a venue for problem solving and rational discussions of ideas. Itprovides a vehicle for the youth to begin the self searching required to lookinto some of these ideas and find a better reality. Growth and gain for all isthe key. For Freud, this is achieved by keeping drives in check between thepleasure principle, our moral super ego, and the authoritative I in the ego. Again, this is only done in residential settings. Youth Centers only housechildren, hampering all these abilities spoken about above. I believe that the question of how to rehabilitate Juvenile Offenders is simple. We must Fix kids instead of locking them up. The Ideas presented here are themost sound way to do that. These theories allow for mental growth, equality,change and freedom from censorship to new ideas. This is exactly what theseyouth need. Their culture has limited them and placed a veil over them insociety. Residential treatment is the only way to remedy this. The safety ofidea exchange and the freedom of growth allow for each youth to develop thepersonality needed to question the right things and put the cultural puzzletogether. Youth centers only let them sit, and ponder the only culture they know. This makes the group Fester and fall further down the rungs of the societalladder. This setup only hardens the veil of separation between the troubledyouth and society. As you can see residential treatment is the only alternativeto give these youth a chance to gain the skills needed for life today. .u29a4260d3d038b141bdc29def0e2a20a , .u29a4260d3d038b141bdc29def0e2a20a .postImageUrl , .u29a4260d3d038b141bdc29def0e2a20a .centered-text-area { min-height: 80px; position: relative; } .u29a4260d3d038b141bdc29def0e2a20a , .u29a4260d3d038b141bdc29def0e2a20a:hover , .u29a4260d3d038b141bdc29def0e2a20a:visited , .u29a4260d3d038b141bdc29def0e2a20a:active { border:0!important; } .u29a4260d3d038b141bdc29def0e2a20a .clearfix:after { content: ""; display: table; clear: both; } .u29a4260d3d038b141bdc29def0e2a20a { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u29a4260d3d038b141bdc29def0e2a20a:active , .u29a4260d3d038b141bdc29def0e2a20a:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u29a4260d3d038b141bdc29def0e2a20a .centered-text-area { width: 100%; position: relative ; } .u29a4260d3d038b141bdc29def0e2a20a .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u29a4260d3d038b141bdc29def0e2a20a .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u29a4260d3d038b141bdc29def0e2a20a .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u29a4260d3d038b141bdc29def0e2a20a:hover .ctaButton { background-color: #34495E!important; } .u29a4260d3d038b141bdc29def0e2a20a .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u29a4260d3d038b141bdc29def0e2a20a .u29a4260d3d038b141bdc29def0e2a20a-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u29a4260d3d038b141bdc29def0e2a20a:after { content: ""; display: block; clear: both; } READ: Early 1900s EssayCategory: Philosophy

The world of classical art Essay Example

The world of classical art Essay In a city known for artifice and family-friendly pleasure seeking, it seems to make sense that the world of classical art would collide with the world of the strangely fantastic.   While there are some that claim buildings such as the ones in Las Vegas, with its full-size replicas of pyramids and Venetian waterways, are devoid of artistic value or significance.   To a large degree, this perception is true, for there is little artistic value in simply copying the work of another for mass marketing purposes.   However, the building that houses Wonderworks in Orlando, Florida is far more than a mass marketed copy.   It is an original structure used to pique interest in science, and its building surely reflects its function.Walking down the tourist strip in Orlando is always an interesting thing to do, to see all the shops, restaurants, and various other attractions designed to pull the eye and the money of entertainment seekers.   While many think that Orlando is nothing but a n ode to Disney, the strip on International Drive is touristy, but largely free of the Disney magic.   However, there is a little magic on the strip, and it was on a trip down this stretch of artificial structures that I saw the most original structure of all in the form of the building created as the educational/recreational playground known as Wonderworks.Amongst the many other cookie-cutter tourist traps on the strip, Wonderworks sticks out like a sore, but highly interesting, thumb.   It is not meant to harmonize with its surroundings at all, but rather seeks to call attention to itself and the types of things that go on inside its walls.   The structure itself is situated right along the road, a multistory plantation-style white building, complete with four columns in the front and large arched windows.   It looks similar to the White House, and its tight symmetry suggests a heavy neoclassical influence.   A few special touches are the few palm trees positioned in the front and along the sides that give it a tropical feel so indicative of its Florida home, with all eyes drawn to the top of the building, which also just so happens to be its bottom.The building for Wonderworks is made to look like a giant colonial mansion dropped at a canted angle on top of a smaller, one-story brick warehouse from the 1930s.   The entrance to the main building is ground level, and cut into the top of the upside-down building.   Artistic embellishments such as cracks in the columns and the face of the building, along with a few feet of foundation at the top of the building make it seem as if it were just uprooted and slammed down.   The palm trees hang from this upside-down foundation, as well as lampposts near the upside-down door.   Real palm trees and manicured grass surround the entire structure, which faces one corner of the intersection, while the warehouse faces the other.   The fact that it is a perfectly normal-looking building that may be nothi ng more than a striking, old mansion on the strip is completely turned on its head, just like the building.   The result is something similar to the wonder that its name suggests, and the fact that it is so different is part of its disharmonious appeal.The nature of the Wonderworks building, as well as its location in the middle of tourist heaven, suggests that it was designed most likely by an anonymous designer working for a large firm sometime in the past few decades.   As there are a few other Wonderworks buildings scattered across the country, the design suggests that its form was consciously designed to echo the many scientific and interesting things that happened within its walls.   It is an example of form perfectly matching function, and makes the view question not only the creativity and architectural science that went into it, but also the line between art and homogenized culture.   Indeed, Wonderworks can be argued to be art or lowbrow entertainment, but the natu re of what it tries to accomplish can only be respected in its ideals, and therefore the building itself becomes far more credible and charming than any of the buildings by Vegas or Disney, as impressive as both locales are.Inside the Wonderworks building, there are many things, scientific and entertaining, that kids and adults will find interesting and educational.   The interior of the main building is also upside-down, and adds to the overall feeling of eccentricity and whimsy.   There are exhibits inside that allow a person to make giant bubbles, lay on a bed of nails, wear an astronaut suit, and scores of other interesting activities.   The unusual design of the building compliments perfectly its unique position the most offbeat attraction on the tourist strip, as well as the strange information it provides through its exhibits, like the number of teeth a mosquito has.   Though the building for Wonderworks was built in 1998, it recalls the classical style, and then turn s it upside-down in a post-modern way.   The fictional story behind the building is that it was once a top-secret lab from the Bermuda Triangle brought by a tornado to its final spot on top of the brick building.   While the story may be fictional, the impact the building has on those who see it is very real.Seeing the upside-down building immediately makes people feel happy when they see it, young and old, and it is difficult not to try to figure out exactly how they built it.   Because the attraction is in the middle of the touristiest part of Orlando, Florida, it is surrounded by a plethora of other attractions, including the many famous amusement parks only short drives down the highway.   However, the building for Wonderworks provides an experience that makes it one of the hidden gems of the area.   It is hard to visit Wonderworks and not come out feeling gratified that the day was spent exploring its interesting exhibits and architecture.Not only does the building in side and out echo its true purpose, but the nature of the building itself echoes its location in the middle of a city known for artifice, special effects, and entertainment.   But, still, Wonderworks manages to become something far more than another amusement for tourists, almost in the way a poem takes on different meanings to different readers.   Some may see it as an amusement park, a fake building, a mass-produced symbol of homogenized entertainment, while some may see it as an allegorical about American society.   And, even still, some may just see it as an interesting place to visit.